Window Zine #2 in Partnership with Indow

LisskaBarWarningSign.jpg

For the 2nd year in a row, I had the pleasure of working with Indow to produce a preservation themed zine. We encouraged people to submit photos, poetry, personal narratives, or any other artistic representation inspired by the warm glow of windows and neon.

I decided to pay homage to my favorite neighborhood bar with an illustration and a warning. While Lisska is described as a bar on the neon sign, it has evolved into primarily a breakfast diner. The neon sign has fooled me more times than I would like to admit, so head this warning!

To read the full Window Zine #2 click this link. You will love learning about the variety of ways people connect to the past.

IMG_4015.JPG

The Window Zine partnership is an extension of Indow’s support of young preservationists* and I look forward to working with them in 2020 to produce an even bigger zine (stay tuned for our call for contributions).

Click here to read Window Zine #1 and learn how I define historic preservation.

*Indow has been the presenting sponsor of the young preservationist gathering I host at PastForward, the annual National Trust for Historic Preservation conference, for the past 3-years.

Ticco Guest Blog: Get Your Conference Game Face On

A mural I stumbled on while exploring Denver during the National Trust for Historic Preservation’s annual conference - PastForward.

A mural I stumbled on while exploring Denver during the National Trust for Historic Preservation’s annual conference - PastForward.

With 2019, slowly coming to an end I am reflecting on what I have learned by being a regular conference attendee. My Ticco guest blog “Get Your Conference Game Face On” delves into a few simple tips to feeling your most confident self while networking.

“Conferences can be grueling! Two or more days of networking, showcasing your work (which feels like selling a part of you if you’re self employed), sitting in potentially uncomfortable chairs, and hoping the conference can accommodate your dietary restrictions… can feel like a lot.” Click here to keep reading!

Crafting Democracy: Rochester, New York

Photo Credit: Caitlin Meives

Photo Credit: Caitlin Meives

Crafting Democracy seeks to demonstrate the ways in which craft is employed as a tool of expression that gives voice to people who seek an active role in democracy. ”

Curators Hinda Mandell and Juilee Decker organized a collaborative art installation to pay homage to the women of the Anti Slavery Sewing Society in Rochester, New York. Installed at the former site of Frederick Douglass’ home, over 40 people contributed a textile art square to pay homage to the past.

It was a pleasure to embroider a square that says “TELL THE FULL HISTORY” (seen below) as my contribution for the temporary art installation. .

My contribution to the Crafting Democracy temporary installation in Rochester, New York.Photo Credit: Caitlin Meives

My contribution to the Crafting Democracy temporary installation in Rochester, New York.

Photo Credit: Caitlin Meives

Photo Credit: Caitlin Meives

Photo Credit: Caitlin Meives

Other contributors chose to knit or crochet pieces. While some pieces were minimal, others included architecture, flowers, patterns, etc.

Temporary art installations allow storytellers to try new methods of raising awareness for the past in addition to encouraging a variety of contributors to creatively find their own way to tell the story.

To learn more about the history of craftivism, I highly recommend you read Crafting Dissent: Handicraft as Protest from the American Revolution to Pussyhats. I had an opportunity to read an advance copy of this text, which is a collection of essays edited by Hinda Mandell and it was not only inspiring, but it was illuminating. The texts highlight women’s history and influence over time through handicraft.

Rust Belt Coalition Featured in Issue 2 of MN Preservation

The National Trust for Historic Preservation has partnered with the Milwaukee Preservation Alliance to save the Mitchell Park Domes #saveourdomes

The National Trust for Historic Preservation has partnered with the Milwaukee Preservation Alliance to save the Mitchell Park Domes #saveourdomes

“When we think of historic buildings, a young

demographic doesn’t immediately come to mind.

Millennials and Generation Z-ers are infamous for

being addicted to technology, but also know how to

use it to their advantage better than any other age

group. By 2020, these two groups are predicted to

make up 50% of all donations in the U.S., while still

only making up roughly 20% of the population.1

This seems to be a positive outlook for nonprofits all

over the country, but it’s a little more complicated

than that…. Click here to read full article

Preservation Leadership Forum Guest Post

The National Trust for Historic Preservation asked me to share some thoughts about my work—and the field overall.

Since starting my path in historic preservation 10-years ago I have explored/worked/learned in a variety of capacities in the field to find out where *I* fit in the preservation movement. What I've discovered is that it is imperative for historic preservationists to make an effort to push the boundaries of what the field does and who we connect to.

Read my piece “Heritage Conservation for All Ages” to learn how my work as a heritage resource consultants strive to do just that.

Never hesitate to reach out with a potential collaboration or another opportunity to work together.

The Walkie Talkie coffee shop in Canton, Ohio, has transformed an old automotive space.

The Walkie Talkie coffee shop in Canton, Ohio, has transformed an old automotive space.

Modern Phoenix Week Recap!

Textile art was an integral part of many mid century women’s lives. Women created woven textiles, created unique fabric designs, sewed items for themselves/their home/their family, etc.  

My desire to combine sewing with storytelling has inspired me to partner with Spoonflower and Modern Phoenix for a dynamic event in March 2019. Together we launched the Desert Modernism Design Challenge, which encouraged people to be inspired by the designs of the past to create their own repeating pattern for fabric.

600 entries from around the world submitted their interpretation of midcentury modern design in the desert. The images to the right is one of the beautiful designs submitted. 

The winning design (selected by a public vote and jury process) was utilized for the Sew Modern! workshop hosted during the 2019 Modern Phoenix Week. Participants of all ages sewing skill levels learned a brief history of women who designed mid century modern textiles (professionally/ recreationally) in addition to being empowered to create their own pillow on a sewing machine. With the decline in sewing as a profession in America, it is important to reflect on how this traditional skill can empower people of today and assist them to create for their present. 

Some of the workshop participants holding their beautiful creations in Park Central Mall’s breezeway.

Some of the workshop participants holding their beautiful creations in Park Central Mall’s breezeway.

In addition to teaching a lesser told aspect of women’s history, the Sew Modern! workshop served as a proof of concept for an adaptation of a storefront into a maker’s space at the former Park Central Mall. Park Central Mall (1957) was Phoenix, Arizona’s first mall and was open until the mid-1990s. It is currently being redeveloped to be utilized as non-traditional office space, retail, community space, and more. 

Mayor Kate Gallego discussing her love of modernism.

Mayor Kate Gallego discussing her love of modernism.

The Sew Modern! workshop even included a visit by Phoenix’s mayor Kate Gallego, who expressed her support in the preservation of the city’s mid century modern assets. 


Workshop Partners: Modern Phoenix, Spoonflower, ArtLink, Garment League, Park Central Mall 


Modern Phoenix Week + Desert Modernism Design Challenge

Textile art was an integral part of many mid century women’s lives. Women created woven textiles, created unique fabric designs, sewed items for themselves/their home/their family, etc.  

My desire to combine sewing with storytelling has inspired me to partnerwith Spoonflower and Modern Phoenix for a dynamic event March 2019. Together we launched the Desert Modernism Design Challenge, which is encouraging people to be inspired by the designs of the past to create their own repeating pattern for fabric.

I am looking forward to being a part of Modern Phoenix Week as their 2019 keynote. My keynote is titled “Engaging NextGen” and will delve into the importance of expanding what stories are told for the future of historic preservation. As I develop this talk and prepare the sewing workshop, I am reflecting on how integral textiles have been in the history of Arizona from the original people of the land, the native tribes weaving for practical purposes and storytelling to the mid century designs by Arizona icons such as Sophie andHarwood Steiger and then the people today who are creating contemporary designs inspired by the state’s history and nature.

A compilation of Sophie and Harwood Steiger fabrics. Photo Credit: PreserveTuscon.org

A compilation of Sophie and Harwood Steiger fabrics. Photo Credit: PreserveTuscon.org

I’m not coming to Arizona and Modern Phoenix Week just to give a lecture, I’m also leading a Sew Modern! workshop where we will sew pillows utilizing the winning design from the Desert Modernism Design Challenge. After our crafting hour, we will use our pillows as cushions and watch the iconic Pillow Talk starring Doris Day and Rock Hudson. Mid century design was not encapsulated in a bubble, the past informed the designs being created, and today the full continuity of time impacts our lives today. I hope to see you at Modern Phoenix Week!

Joining the Housing JV Board

Housing Joint Venture is committed to value driven development projects. I am proud to announce I have joined their board as Director of Heritage Resources. They are forward-thinking people who want a dual return, both social and financial. They commit their money to communities that need meaningful change. They know doing good and being profitable do not have to be mutually exclusive – in fact, the highest returns occur when values and finances meet.

I look forward to working with this team to ensure preservation plays a role in their development projects. Visit their website and stay tuned for big announcements in 2019.

Top Five Conference Sessions of 2018!

After attending a myriad of conferences this year I wanted to take a moment to reflect on the sessions that made the most impact. Check out my top five conference sessions of 2018 below (in no specific order). Want to learn a bit more about the conferences I attended? Check out my blog Which Conference Is For You?

Preservation Philosophy- Looking Back and Looking Forward

Where: Association for Preservation Technology

Who: David Payne, Ilene Tyler, Stephanie Hoagland, and Mary Kay Jude

0TJsHbh2SUefZAOkB1cG%Q.jpg

Why: The APT conference is set-up to have tracks of four 20-minute sessions that are grouped with similar sessions and a moderator is on hand to ensure the group stays on track in the 1.5hours. Each presenter in this track delved into preservation philosophy and topics not typically discussed at preservation conferences. The highlight for me was Stephanie Hoagland’s  “Art or Awful: The Preservation and Conservation of Graffiti.” She discussed why individuals may construe nudity in fine art as “art” and why in graffiti it is construed as “lewd.” Her presentation showed examples of historic graffiti and contemporary graffiti being preserved and presented on conservation strategies. She posed the question of the ethics surrounding the preservation of art that was meant to be impermanent. I am still thinking months later about if/when graffiti should be preserved and best methodology. 


The Archaeology of Imbibing

Where: Preserving Historic Places, Indiana’s Statewide Preservation Conference

Who: Nicolas Laracuente, Cassie Medeiros

IMG_1442.JPG

Why: This session combined a few of my favorite things: food, discovering lost history, and finding ways to use preservation to connect the two. Laracuente, the bourbon archeologist, and Medeiros, the moonshine girl, edified the crowd on strategies to locate old distilleries/ stills and methodology to preserve the history. In Kentucky, Laracuente led the discovery of Buffalo Trace Distillery’s earliest fermentation tanks from the 1800s (click here to learn more). He was able to advocate for the preservation of these below ground resources and now the distillery (a National Historic Landmark) has turned the archeology find into a heritage tourism opportunity. Medeiros documented moonshine stills in Alabama, while pursuing her graduate degree. Her research was able to identify the location of stills in an effort to pursue historic designation for these archeological sites. What is particularly intriguing is her research led to an understanding that a community historically tied to alternative or illegal economies is more likely to be a contemporary community that is tied to alternative or illegal economies. With archeology typically perceived as the discovery of items from hundreds of years ago, this session put a twist on what the field is/does. 

Communicating in Crisis

Where: Heritage Ohio Annual Conference

Who: Mary Glauser

Why: Is your organization prepared for a crisis? What would your organization do if someone fell on a tour and was hospitalized? What would your organization do if someone chose to drink and drive after your annual fundraiser? These were a couple questions posed during Communicating in a Crisis. Glauser delved into strategies for an organization to prevent crisis (ex: background check volunteers prior to accepting their donated services), how to plan for crisis, and how to handle crisis in the aftermath. Her tips and strategies will be considered as I manage organizations and create events. I highly encourage you to consider creating a crisis plan/toolkit for your organization and to reach out to Glauser when you choose to prepare yourself for any situation. 


Creating Vibrant and Healthy Cities For All 

Accessible art is can improve quality of life in a community.

Accessible art is can improve quality of life in a community.

Where: Main Street Now

Who: Gil Penalosa

Why: Penalosa is the founder and chair of “8 80 Cities,” an internationally recognized nonprofit that works to make cities a dynamic place to live whether you are 8 or 80. His fast paced presentation format delved into tactics that add energy to a community, strategies to encourage multi-modal transit, and the importance of age diversity to the health of a community. Honestly, the best way to describe the presentation is to encourage you to visit the nonprofit’s website and watch their videos. You will fall in love with this creative urban planning organization. 

Allyship in Preservation

Where: PastForward, the National Trust for Historic Preservation annual conference

Who: Lauren Hood, Mia Nakano

A historic poster on display at the GLBT Museum in San Francisco.

A historic poster on display at the GLBT Museum in San Francisco.

Why: This 1.5hour long session could (should) have lasted all day. Hood and Nakano thoughtfully delved into how underrepresented communities could best be supported by the preservation community. Historic preservation is interwoven with social justice/equity and activism. To be a successful historic preservationists we need to be good listeners and to know when to step back and empower instead of taking the lead. Nakano presented the concept of “protectively open source,” which in a nutshell means: the ability to consider what content is accessible online and how it pertains to an invidual’s personal well being and/or safety. For example: Your organization has oral history videos and transcripts online. If an individual at any time no longer feels comfortable having that information online, your organization would be willing to remove it from public access. The presentation concluded with work groups to consider what we can do better in our communities.